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In a Violent Nature, directed by Chris Nash, is a bold and unconventional entry into the slasher genre. The film stands out for its unique perspective, focusing on the killer, Johnny, rather than the victims. This shift in viewpoint, combined with a vintage 4:3 aspect ratio and long, patient takes, gives the film an almost meditative quality, despite its hyper-violent content.
The film opens with a group of teenagers discovering a mysterious locket in the Canadian forest, which disturbs the resting place of Johnny, a vengeful spirit. Johnny, portrayed by Ry Barrett, is a hulking, silent figure who methodically hunts down those who have disturbed his grave. The film’s narrative is deceptively simple, but its execution is anything but conventional.
One of the most striking aspects of In a Violent Nature is its cinematography. The film is shot in a vintage 4:3 aspect ratio, which, combined with long, lingering takes, creates a sense of claustrophobia and inevitability. The camera often follows Johnny from behind, giving the audience a third-person perspective that feels almost like a video game. This approach allows the film to build tension in a slow, deliberate manner, eschewing traditional jump scares for a more atmospheric and unsettling experience.
The film’s visual style is complemented by its sound design. The forest setting is brought to life with a rich tapestry of natural sounds, which contrast sharply with the brutal violence that unfolds. The lack of a traditional score adds to the film’s eerie, almost dreamlike quality. Instead, the film relies on ambient sounds and the occasional diegetic music to create a sense of unease.
Johnny himself is a fascinating character. Unlike many slasher villains, he is not a mindless killing machine. Instead, he is portrayed as a tragic figure, driven by a desire for vengeance. His backstory, revealed through hushed campfire stories and brief flashbacks, adds depth to his character and makes his actions more understandable, if not justifiable. The film’s decision to focus on Johnny’s perspective rather than that of his victims is a bold one, and it pays off by creating a more complex and engaging narrative.
The film’s violence is graphic and unflinching. Johnny’s kills are brutal and inventive, often involving the use of tools related to his backstory. These scenes are not for the faint of heart, but they are executed with a level of artistry that elevates them above mere gore. The film’s practical effects are impressive, and the kills are staged in a way that is both horrifying and strangely beautiful.
However, In a Violent Nature is not without its flaws. The film’s slow pace and lack of traditional scares may not appeal to all horror fans. Some viewers may find the film’s meditative approach to be more tedious than tense. Additionally, the film’s focus on Johnny means that the supporting characters are not as well-developed, which can make it difficult to become fully invested in their fates.
Despite these issues, In a Violent Nature is a refreshing and innovative take on the slasher genre. Its unique perspective, combined with its striking visual style and atmospheric sound design, make it a standout entry in the genre. The film’s willingness to take risks and subvert expectations is commendable, even if it doesn’t always succeed.
Overall, In a Violent Nature is a film that will likely divide audiences. Those who appreciate arthouse horror and are looking for something different from the usual slasher fare will find much to admire. However, those who prefer more traditional, fast-paced horror may find the film’s approach to be off-putting. It’s a bold and intriguing experiment, but its appeal may be limited to a niche audience.
Rating: 6/10