Winter, 1843. A young woman is under investigation following the mysterious death of her family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy.
Winter, 1843. A young woman is under investigation following the mysterious death of her family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy.
Young Mary, who hides a romantic relationship with the housemaid, was raised in a repressively religious household. Her family, who believe they are acting on God’s behalf, view the girls’ relationship as an abomination, to be dealt with as severely as possible. The couple attempts to carry on in secret, but someone is always watching, and the threat to pay for their sins builds. But after the arrival of an enigmatic stranger, the tension increases, and it becomes clear that great and evil forces are at work.
Southold, New York, 1843: Young Mary (Stefanie Scott, Insidious Chapter 3), blood trickling from behind the blindfold tied around her eyes, is interrogated about the events surrounding her grandmother’s death. As the story jumps back in time, we witness Mary, raised in a repressively religious household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman, Orphan), the home’s maid. Her family, who believe they are seeing, speaking, and acting on God’s behalf, view the girls’ relationship as an abomination to be dealt with as severely as possible. The couple attempts to carry on in secret, but someone is always watching, or listening, and the wages of perceived sin threaten to become death, with the tension only heightened by the arrival of an enigmatic stranger (Rory Culkin, Lords of Chaos) and the revelation of greater forces at work. Directed by Edoardo Vitaletti.
Southold, New York, 1843: Young Mary (Stefanie Scott, Insidious Chapter 3), blood trickling from behind the blindfold tied around her eyes, is interrogated about the events surrounding her grandmother’s death. As the story jumps back in time, we witness Mary, raised in a repressively religious household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman, Orphan), the home’s maid. Her family, who believe they are seeing, speaking, and acting on God’s behalf, view the girls’ relationship as an abomination to be dealt with as severely as possible. The couple attempts to carry on in secret, but someone is always watching, or listening, and the wages of perceived sin threaten to become death, with the tension only heightened by the arrival of an enigmatic stranger (Rory Culkin, Lords of Chaos) and the revelation of greater forces at work. Directed by Edoardo Vitaletti.
Winter, 1843. A young woman is under investigation following the mysterious death of her family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy.
Mary mourns while, elsewhere in the house, Eleanor deals with a mysterious stranger.
Southold, New York, 1843: Young Mary (Stefanie Scott, Insidious Chapter 3), blood trickling from behind the blindfold tied around her eyes, is interrogated about the events surrounding her grandmother’s death. As the story jumps back in time, we witness Mary, raised in a repressively religious household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman, Orphan), the home’s maid. Her family, who believe they are seeing, speaking, and acting on God’s behalf, view the girls’ relationship as an abomination to be dealt with as severely as possible. The couple attempts to carry on in secret, but someone is always watching, or listening, and the wages of perceived sin threaten to become death, with the tension only heightened by the arrival of an enigmatic stranger (Rory Culkin, Lords of Chaos) and the revelation of greater forces at work. Directed by Edoardo Vitaletti.
Southold, New York, 1843: Young Mary (Stefanie Scott, Insidious Chapter 3), blood trickling from behind the blindfold tied around her eyes, is interrogated about the events surrounding her grandmother’s death. As the story jumps back in time, we witness Mary, raised in a repressively religious household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman, Orphan), the home’s maid. Her family, who believe they are seeing, speaking, and acting on God’s behalf, view the girls’ relationship as an abomination to be dealt with as severely as possible. The couple attempts to carry on in secret, but someone is always watching, or listening, and the wages of perceived sin threaten to become death, with the tension only heightened by the arrival of an enigmatic stranger (Rory Culkin, Lords of Chaos) and the revelation of greater forces at work. Directed by Edoardo Vitaletti.
Southold, New York, 1843: Young Mary (Stefanie Scott, Insidious Chapter 3), blood trickling from behind the blindfold tied around her eyes, is interrogated about the events surrounding her grandmother’s death. As the story jumps back in time, we witness Mary, raised in a repressively religious household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman, Orphan), the home’s maid. Her family, who believe they are seeing, speaking, and acting on God’s behalf, view the girls’ relationship as an abomination to be dealt with as severely as possible. The couple attempts to carry on in secret, but someone is always watching, or listening, and the wages of perceived sin threaten to become death, with the tension only heightened by the arrival of an enigmatic stranger (Rory Culkin, Lords of Chaos) and the revelation of greater forces at work. Directed by Edoardo Vitaletti.