In the secluded town of Stoker Hills, three college students find themselves in their worst nightmare when they set out to film a horror movie and are kidnapped by a serial killer. Their only hope for survival is the camera they left behind and the two detectives looking for clues in the footage.
The Locusts. A secret guild that, once per year, treats its members to a night of violent home invasions. And this year’s “Night of the Locusts”, happens to be this very evening…. Tensions run high between Daniel and Jessica after her burnout sister, Liz, shows up unannounced. While the feuding parties go to opposite areas of the house, everyone’s worst nightmare is forming in the backyard: four masked Locusts have arrived for their twisted night of ‘fun’. As Jessica locks herself in the bathroom for a bubble bath, Liz lounges on her bed. Unbeknownst to them, Daniel has already been bound and gagged by the intruders downstairs. Just as the men make their way upstairs, Liz catches sight of them and attempts to warn Jessica – but to no avail. With nowhere to go, Liz takes shelter under the bed just as the masked men enter the room. As The Locusts engage in their sick games with Daniel and Jessica, Liz can only stay hidden under the bed. Thus begins a unique game of cat and mouse, where the cat does not even know another mouse is hiding nearby.
On July 18th, 2018, Officer David Serling went missing inside the abandoned Yorktown Memorial Hospital. A year later, his wife has hired a film crew to help bring light on what really happened that night. Using recovered body cam footage, she discovers a dark secret that sends her spiraling down a horrific path of ancient evil. She must now face an unknown terror to find the answers she desperately seeks.
Kenneth Branagh leads an all-star cast including Robert De Niro, Helena Bonham Carter, Tom Hulce, Ian Holm, John Cleese and Aidan Quinn in his definitive cinematic version of Mary Shelley’s classic tale of gothic terror.
At the turn of the 19th century, visionary scientist Victor Frankenstein (Kenneth Branagh) embarks on an obsessive quest to conquer the mysteries of human mortality. But his hubristic bid to create life out of death goes hideously wrong, and succeeds only in begetting a deformed monster (Robert De Niro).
Horrified by what he has wrought, the scientist attempts to destroy his creation, but fails. Rejected by his creator and shunned by the world of man, the tormented creature swears vengeance against Frankenstein and his family. As the monster begins to enact his murderous revenge, Victor must face a terrible reckoning with the tragic consequences of attempting to play God.
Mary Shelley’s seminal novel is one of the most adapted books of all time, and this retelling faithfully goes back to the original source, lushly transforming the story’s twin themes of love and death into a darkly operatic gothic romance.
Unlike many versions of Shelley’s novel, Branagh’s adaptation understands that Frankenstein’s misbegotten creation is as pitiable as he is monstrous, and never loses sight of the human tragedy lying at the core of its horrific tale. Filled with sweeping, atmospheric visuals and powerfully emotional performances from an award-winning ensemble of acting talent, Mary Shelley’s Frankenstein stands as a landmark interpretation of this enduring masterpiece.
Four friends reconnect when one of them, who disappeared 25 years ago, suddenly comes back into their lives. Together, they will have to confront the terrifying events of their youth and fight a monstrous creature born of a horrible legend.
Before Black Sabbath, before The Whip and the Body, director Giorgio Ferroni (The Lion of Thebes, Blood for a Silver Dollar) introduced audiences to period horror Italian-style with his chilling 1960 shocker Mill of the Stone Women – a classic tale of terror redolent with the atmosphere of vintage Hammer Horror.
Young art student Hans von Arnam (Pierre Brice, Night of the Damned) arrives by barge at an old mill to write a monograph about its celebrated sculptures of women in the throes of death and torture, maintained and curated by the mill’s owner, the hermetic Professor Wahl (Herbert Böhme, Secret of the Red Orchid). But when Hans encounters the professor’s beautiful and mysterious daughter Elfi (Scilla Gabel, Modesty Blaise), his own fate becomes inexorably bound up with hers, and with the shocking secret that lies at the heart of the so-called Mill of the Stone Women.
The first Italian horror film to be shot in color, Mill of the Stone Women prefigured a raft of other spaghetti nightmares, including the work of maestros Mario Bava and Dario Argento. Arrow Video is proud to present this brand-new restoration of one of the foundational titles of Italian horror.
Inside a quaint convent, young Sister Agnes explodes with an outburst of rage and blasphemy, causing the church to send veteran priest Father Donaghue and a younger priest-on-the-rise, Benjamin, to investigate the incident as a potential demonic possession.
Written, directed, and produced by Jae Matthews and Augustus Muller of Boy Harsher (http://youtube.com/boyharsher), The Runner follows a strange woman as she travels to a secluded, rural town where her violent compulsions are slowly revealed. The story intertwines with Boy Harsher performing on a public access channel. Their music scores the strange woman’s descent deeper into the unknown. The Runner features break-out performances by musician Kris Esfandiari (King Woman), performance artist Sigrid Lauren (FlucT), and musician Cooper B. Handy (Lucy).
Hearing impaired Kyung-mi (Ki-joo Jin) catches the attention of Do-Sik (Wi Ha-Jun; Squid Game), a mysterious serial killer that’s been stalking their neighbourhood. Do-Sik targets Kyung-mi, presuming her deafness will make her an easy target, sparking a twisted game where the killer hides in plain sight.
An intense, unpredictable thriller from debut director Kwon Oh-seung; Midnight joins the pantheon of great South Korean thrillers.
Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia’s dark past is revealed.
Set in an isolated mountain village in 19th century Macedonia, You Won’t Be Alone follows a young girl who is kidnapped and then transformed into a witch by an ancient spirit. Curious about life as a human, the young witch accidentally kills a peasant in the nearby village and then takes her victim’s shape to live life in her skin. Her curiosity ignited, she continues to wield this horrific power in order to understand what it means to be human.
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror (Suspiria, The Bird with the Crystal Plumage), comes Deep Red – the ultimate giallo movie.
One night, musician Marcus Daly (David Hemmings, Blow Up), looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator… or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems…
Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka Profondo Rosso and The Hatchet Murders) is a hallucinatory fever dream of a giallo punctuated by some of the most astonishing set-pieces the sub-genre has to offer.
Dwight and his sister Jessie reach a crossroads over what to do about their younger brother Thomas’ mysterious illness. The increasingly dangerous task of keeping him alive weighs heavy on sensitive Dwight, and as a fiercely private and close-knit family unit, Thomas and Jessie depend on him and the rituals they’ve learned in order to keep their secret. Dwight yearns for another life, but Jessie will stop at nothing to keep her family together.
Horror master Wes Craven achieved critical and commercial success with the likes of Scream and A Nightmare on Elm Street – but for many genre fans, the director’s seminal 1977 effort The Hills Have Eyes remains his masterpiece.
Taking an ill-advised detour en route to California, the Carter family soon run into trouble when their campervan breaks down in the middle of the desert. Stranded, the family find themselves at the mercy of a group of monstrous cannibals lurking in the surrounding hills. With their lives under threat, the Carters have no choice but to fight back by any means necessary.
Following on from his notorious 1972 directorial debut The Last House on the Left, Craven’s The Hills Have Eyes stands alongside the likes of The Texas Chain Saw Massacre and Night of the Living Deadas one of the defining classics of American horror.
Why Hans Wagner Hates The Starry Sky: Hans Wagner lives in a small apartment, taking pills and drinking whiskey to fight his anxiety disorders. When he runs out of both his drugs one day, he has no choice but travel to the supermarket sober. An unexpected adventure begins.
Cordelia’s Children:
Cordelia has recently killed her hapless husband to stay in charge of her familial empire of crime. Bummer: Now, he haunts her. Meanwhile, her 16-year-old son falls in love with one of the young callboys working for his mother, shortly after discovering a strange door to a nightmare dimension in the basement. Cordelia’s older daughter couldn’t care less about all this: She’s plotting revenge against the murderers of her beloved father – And she definitely suspects her mother to be the culprit.
Zeckenkommando vs. Cthulhu:
Lower Saxony’s most hardcore punk band faces off against the forces of evil summoned by their small town’s elites in a found footage extravaganza!
After discovering an ancient book of the occult, a family activates a dangerous ritual forcing each of them to communicate with and fight a demonic force in their own unique way: to see it, hear it or speak to it.
After discovering an ancient book of the occult, a family activates a dangerous ritual forcing each of them to communicate with and fight a demonic force in their own unique way: to see it, hear it or speak to it.
After discovering an ancient book of the occult, a family activates a dangerous ritual forcing each of them to communicate with and fight a demonic force in their own unique way: to see it, hear it or speak to it.
After discovering an ancient book of the occult, a family activates a dangerous ritual forcing each of them to communicate with and fight a demonic force in their own unique way: to see it, hear it or speak to it.
After discovering an ancient book of the occult, a family activates a dangerous ritual forcing each of them to communicate with and fight a demonic force in their own unique way: to see it, hear it or speak to it.
There’s No Such Thing As Vampires premiered at the prestigious FRIGHTFEST-London and Dances With Films- Los Angeles. This well-reviewed Film adds new layers to the Vampire genre. It’s mixture of fun, fast story telling takes the audience into a new mythology and provides “Horror with a sense of fun. This is one to watch out for” – Ready Steady Cut. The film Stars Emma Holzer (Black Coats Daughter), Josh Plasse (iCarley), Meg Foster (They Live), Aric Cushing (The Yellow Wallpaper, and Raphael Sbarge (Once upon a time)
Available on VOD and Deluxe Blu-ray this December 12th 2021!
A slasher themed 3 pack of terror and laughter coming on DVD from SRS Cinema!
Terror At Blood Fart Lake – The Legend of Blood Fart lake is…well…legendary! When a group of college kids head off to their friend’s cabin for a little high octane sex weekend, they will get more than they bargained for in the form of the evil Scarecrow killer, Jimmy Van Brunt! Seems like nobody is safe at spooky cabins in the woods by the lake these days.
Return To Blood Fart Lake – Many years have passed since the tragic events at Blood Fart Lake, where Jimmy dispatched a bunch of party going, cabin dwelling kids before he could be stopped by Ben Scrivens & his red neck pal, Leo Dechamp. Now Jimmy has returned, this time preying on a group of “Spirit Hunters” searching for the truth to his killings, and Ben must track down Leo before they’re added to his list of victims!
Evil Dead Inbred Maniacs – In a remote cabin, a group of friends gather for fun. When they find a mysterious book, they unleash a ghostly evil. This resurrects the redneck Leo DeChamp, a serial killer who used to strangle kids with skunk tails in the 1960’s.
Romina, an overworked nurse and single mother, returns home from her late shift on Halloween night to find a maniac hiding out with a bruised and beaten hostage. When an unexpected wave of violent intruders descends upon her home, the trio realize the only way out of the situation is to work together and fight for their survival. Starring Colin Paradine, Lora Burke, Nick Smyth, directed by Gabriel Carrer and Reese Eveneshen.
Beginning just before his debut as Frankenstein’s creation, Boris Karloff: The Man Behind The Monster compellingly explores the life and legacy of a cinema legend, presenting a perceptive history of the genre he personified. His films were long derided as hokum and attacked by censors. But his phenomenal popularity and pervasive influence endures, inspiring some of our greatest actors and directors into the 21st Century – among them Guillermo Del Toro, Ron Perlman, Roger Corman & John Landis all of whom and many more contribute their personal insights and anecdotes. Directed by Thomas Hamilton.
From writer/director/co-producer Kier-La Janisse comes “a seductive mega-text” (Indiewire) through the history of folk horror, featuring clips from over 200 films and interviews with more than 50 filmmakers, authors and scholars that explore the rural roots, occult creeds and cultural lore that continue to shape international cinema. An “astounding achievement” (Screen Anarchy) that Rue Morgue calls “an unprecedented journey into where folk horror has been, where it’s going and ultimately what it says about humanity.” Audience Award Winner SXSW 2021 and Fantasia International Film Festival 2021, Woodlands Dark and Days Bewitched has been hailed as “brilliant” (AV Club) and “mind-blowingly epic” (Film Threat) and stands as perhaps the definitive genre documentary of our time.
Helen wakes from a coma to learn she was the only person to witness her father’s suicide and that she is a mother to a child she has no memory of. When Helen delves into her father’s past, she uncovers a series of child abductions from decades ago. As Helen begins to suspect her father lived a double life as a child-killer she battles with her own feelings towards the daughter she resents.
