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A struggling actress becomes obsessed with a serial killer, convinced that being chosen as his next victim might be the only proof she ever mattered.

In the sprawling shadows of Hollywood, Young Blondes, Stalked and Murdered follows Stacy, a young aspiring actress fighting to be seen in an industry that demands perfection and rarely offers it back. Every week, she endures another series of auditions, another round of vague rejections. She’s told her look isn’t quite right, her hair isn’t quite blonde enough, or worse–she’s just forgettable. The roles she dreams of are elusive, and her grip on reality begins to fray.

When word spreads of a mysterious serial killer preying on young blonde actresses, luring them in under the guise of casting calls, a strange shift occurs in Stacy’s psyche. She doesn’t just fear she might be next–she begins to crave it. The killer becomes an abstract figure of validation, the only one in Hollywood who sees young women like her and chooses them. The horror of the situation folds into Stacy’s own emotional unraveling, creating a surreal tension between dread and desire.

As the city around her continues its oblivious churn–self-tapes, callbacks, headshots, hashtags–Stacy descends into an obsessive spiral. The killer, ever unseen, becomes both her nightmare and her fantasy. To be stalked, she reasons, is to be noticed. To be murdered is, in some twisted way, to finally be remembered.

Told through haunting vignettes, surreal interludes, and subtle shifts in tone, Young Blondes, Stalked and Murdered is not a conventional slasher. Instead, the film turns its lens inward, exploring the emotional disintegration of a woman caught between ambition and annihilation. Samantha Carroll (Fangirl)’s performance as Stacy is hypnotic–fragile, determined, and quietly deranged.

In the end, the film asks a chilling question: What if being seen is more dangerous than being ignored?

STARRING: Elle Chapman, Gemma Remington, Samantha Carroll, Zachary Grant